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Cover of the 4th issue of Collectissim Magazine
N°4
Cover of Collectissim Magazine, a jewelry magazine dedicated to the history of jewelry, rare jewels and savoir-faire. A valuable resource for collectors and enthusiasts of rare and antique jewelry.
N°5

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Millicent Rogers with the ruby and diamond “Starfish” brooch, designed by René Boivin, an iconic piece of jewelry in her bold, sophisticated style.
Millicent Rogers: The art of wearing jewelry
The Boyacá region, home to Colombia's Chivor emerald mines
Emerald: In the heart of Colombia’s mines

Videos

In this exclusive video, I interview Ricardo Jiménez, master lapidary, about his work with Colombian emeralds.
Cutting the most precious Colombian emeralds
In this video, I visit the Original Miami Beach Antique Show, one of the must-see shows for jewelry lovers!
Je visite l'Original Miami Beach Antique Show !

Trabert & Hoeffer-Mauboussin: History and iconic jewels

Trabert & Hoeffer-Mauboussin embodies the perfect union of French elegance and American audacity. This collaboration between the Parisian jewelry house Mauboussin and the American company Trabert & Hoeffer has given birth to exceptional creations, marked by Art Deco style and an innovative approach to jewelry. Known for popularizing transformable jewelry, this jeweler attracted a prestigious clientele, including Hollywood celebrities and high society figures.

The origins of Trabert & Hoeffer-Mauboussin

After the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, the American market continued to adopt French jewelry trends. Although American jewelers were not directly involved in the event, they flocked there to discover the new modern creations and bring back to the United States what was to become the Art Deco style. It was against this backdrop that Randolph J. Trabert and William Howard Hoeffer decided to found Trabert & Hoeffer, Inc. in 1926. In the early days, the company imported French designs, drawing inspiration from the great houses such as Cartier and Mauboussin. This strategy proved effective, and quickly propelled the company into the limelight, until the stock market crash of 1929 marked a turning point for the company. The following year, Randolph Trabert died, leaving Hoeffer alone at the head of the business.

Allée de l'exposition universelle de 1925 où Randolph J. Trabert et William Howard Hoeffer ont admiré les premières créations Art Deco
Exposition internationale des arts décoratifs et industriels modernes, Paris, 1925 ©Médiathèque du Patrimoine et de la Photographie

The Great Depression forced many companies to reinvent themselves, and the famous Parisian jewelry house Mauboussin, founded in 1827, tried to establish itself in the United States. Stores were opened in Palm Beach and New York, but the company’s strategy of importing large quantities of French jewelry ran up against the economic consequences of the crisis. Faced with major financial difficulties, Mauboussin was forced to liquidate part of its stock, and finally reached an agreement in 1936 with Trabert & Hoeffer. The American company took over its inventory and name, giving birth to Trabert & Hoeffer-Mauboussin. This partnership gave Mauboussin new visibility, while consolidating Trabert & Hoeffer’s reputation.

An exceptional partnership

Trabert & Hoeffer-Mauboussin creations are strongly influenced by Art Deco, an artistic movement in vogue in the 1930s. This style is characterized by bold geometric shapes, clean lines and the use of precious metals combined with vibrantly colored gemstones. The company also innovated with modular jewelry, transforming necklaces into bracelets and brooches into pendants. This modern approach appeals to customers looking for elegant, functional pieces. On the strength of this success, Trabert & Hoeffer-Mauboussin set up headquarters on Park Avenue and extended its activities to places where potential customers went to relax. Palm Beach, Los Angeles and Atlantic City were the first branches to open, followed by Miami Beach, Chicago and Beverly Hills.

Emerald and diamond bangle, Trabert & Hoeffer–Mauboussin, circa 1939
Emerald and diamond bangle, Trabert & Hoeffer–Mauboussin, circa 1939 ©Sotheby's

One of Trabert & Hoeffer-Mauboussin’s greatest contributions to the world of haute joaillerie is its transformable jewelry. The idea was to offer versatile pieces, suitable for different occasions. Among the most famous creations were the lapel clips, which could be worn alone or combined to form a larger brooch. This innovative concept revolutionized luxury jewelry and remains a benchmark of ingenuity and refinement today.

TRABERT & HOEFFER MAUBOUSSIN TRANSFORMATION SET: BROOCH, PAIR OF CLIPS AND BRACELET
Trabert-&- Hoeffer-Mauboussin transformation set ©Aguttes

Trabert & Hoeffer-Mauboussin: a prestigious clientele

Thanks to its unique style and innovative design, Trabert & Hoeffer-Mauboussin quickly attracted the most prominent personalities of the day. Among its most famous customers were Hollywood film icons such as Marlene Dietrich, Greta Garbo and Joan Crawford. These stars embraced the house’s spectacular jewelry, often adorned with diamonds, rubies, sapphires and emeralds, sublimating their elegance on and off screen.

Marlène Dietrich wearing her Trabert & Hoeffer-Mauboussin emerald and diamond bracelet and emerald bracelet by Paul Flato
Marlène Dietrich wearing her Trabert & Hoeffer-Mauboussin emerald & diamond bracelet and emerald & diamond bracelet by Paul Flato

The Trabert & Hoeffer-Mauboussin legacy

Although the collaboration between Trabert & Hoeffer and Mauboussin ended in the 1950s, its impact on the world of jewelry remains undeniable. Designs from this era continue to be sought after by collectors and jewelry enthusiasts alike. Their jewels bear witness to a time when innovation and elegance were combined to perfection, and when jewelry was not merely an accessory, but a true art in motion.

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Collectissim Magazine N°5

Discover the history of jewelry in New York in this exceptional special issue.

Discover

Collectissim Magazine N°5

An exceptional special issue dedicated to the history of jewelry in New York.